Table of Contents
| Front Matter | |
| Tabula Gratulatoria | |
| vii - viii |
| Preface | |
| ix - xvi |
| Making Substantial Connections: A Critical Appreciation of Sheila Delany | |
| Suzanne Conklin Akbari | 1 - 18 |
Gender Studies
| Labouring to Make the Good Wife Good in the journées chrétiennes and Le Menagier de Paris | |
| Glenn Burger | 19 - 40 |
| Translation, Early Printing, and Gender in England, 1484-1535 | |
| Brenda M. Hosington | 41 - 67 |
| The Remarriage of Elite Widows in the Later Middle Ages | |
| Rhoda L. Friedrichs | 69 - 83 |
| Between Autohagiography and Confession: Generic Concerns and the Question of Female Self-Representation in Anna Maria Marchocka's Mystical Autobiography | |
| Liliana Sikorska | 85 - 96 |
Manuscript Studies
| English Joachite Manuscripts and Medieval Optimism about the Role of the Jews in History: A List for Future Studies | |
| Kathryn Kerby-Fulton | 97 - 144 |
| The Authorship of the Poems of Laurence Minot: A Reconsideration | |
| A. S. G. Edwards | 145 - 153 |
Jewish Studies
| Love and Race in a Thirteenth-Century Romance in Hebrew, with a Translation of The Story of Maskil and Peninah by Jacob Ben El'azar | |
| Tova Rosen | 155 - 172 |
| "Verbal Wronging": An Analysis of Speech Banned in m. Bava Metzi'a 4:10 | |
| Robert A. Daum | 173 - 199 |
Post-Medieval Studies
| Robin Hood and the Crusades: When and Why Did the Longbowman of the People Mount Up Like a Lord? | |
| Stephen Knight | 201 - 222 |
| Imitatio Christi in the Later Middle Ages and in Contemporary Film: Three Paradigms | |
| Lawrence Besserman | 223 - 249 |
| "Sion's Songs": Milton, the Psalms, and Counter-Tradition | |
| David Gay | 251 - 269 |
| Political Uses of Historical Comparisons: Medieval and Modern Hungary | |
| János M. Bak | 271 - 279 |
| A Bibliography of the Published Scholarly Works of Sheila Delany | |
| 281 - 289 |
| The Contributors | |
| 291 - 294 |