Table of Contents
| Introduction | HTML |
| Reid Gilbert |
Articles
| Flickering Lights and Declaiming Bodies: Semiosis in Film and Theatre | HTML |
| Robert Nunn |
| Only in Alberta? Angels in America and Canada | HTML |
| Susan Bennett |
| Queer(y)ing the Canadian Stage: Brad Fraser's Poor Super Man | HTML |
| Marcia Blumberg |
| Petit-Tchaïkovski et ses Paratextes: Le Cas du Titre | HTML |
| Anthony M. Watanabe, |
| Borderline Crossings in Sharon Pollock's Out-Law Genres: Blood Relations and Doc | HTML |
| Rosalind Kerr |
Reviews / Comptes Rendus
| Annie Brisset. A Sociocritique of Translation: Theatre and Alterity in Quebec, 1968-1988 | HTML |
| Louise Forsyth |
| Paula Sperdakos. Dora Mavor Moore: Pioneer of the Canadian Theatre | HTML |
| Francess G. Halpenny |
| Judith Rudakoff, ed. Dangerous Traditions: A Passe Muraille Anthology | HTML |
| Denis Johnston |
| James Hoffman. The Ecstacy of Resistance, A Biography of George Ryga | HTML |
| Don Kerr |
| Herman Goodden. Curtain Rising: The History of Theatre in London | HTML |
| Patrick B. O'Neill |
| Contributors / Collaborateurs | HTML |
ISSN: 1913-9101