Table of Contents
Articles
| Autobiographical Imprints in Nineteenth-Century Canadian Drama: Sarah Curzon's Laura Secord: Heroine of 1812 | HTML |
| Christine Boyko-Head |
| The Mirror Remade: Cultural Affirmation in the Plays of Herménégilde Chiasson | HTML |
| Glen Nichols |
| Trevor Schmidt Retells Tales from the Hospital: A Postmodern Theatrical Experience | HTML |
| Rosalind Kerr |
| Glace Bay to Hollywood: A Political Journey | HTML |
| George Belliveau |
| Violent Women: The Bernardo/Homolka Case in Famous by Carol Bolt and Paul's Case by Lynn Crosbie | HTML |
| Shelley Scott |
| A Checklist of Books By and About Canadian Artists in The Performing Arts/ Un Répertoire de Publications Sur ou Par les Artistes Canadians Dans les Arts Sceniques | HTML |
| David Gardner |
| Face to Face wiith Denis Marleau / Face à Face avec Denis Marleau, Ottawa, 29 November, 2000 | HTML |
| Alvina Ruprecht |
Reviews / Comptes Rendus
| Peter Dickinson. Here is Queer: Nationalisms, Sexualities and the Literatures of Canada | HTML |
| Piet Defraeye |
| Lisa Doolittle and Anne Flynn, eds. Dancing Bodies, Living Histories: New Writings about Dance and Culture | HTML |
| Allana Lindgren |
| Glenda Stirling, ed. The NeXtFest Anthology: Plays from the Syncrude Next Generation Arts Festival | HTML |
| Don Perkins |
| Herbert Whittaker. Setting the Stage: Montreal Theatre 1920-1949 | HTML |
| Gregory J. Reid |
| Contributors / Collaborateurs | HTML |
ISSN: 1913-9101