Table of Contents
| Front Matter | |
Articles
| Walking the Edge of the Stage in Theory; Or, Janet Cardiff's Sensorium for Intermedial Bodies | |
| Carmen Derkson |
| Verbatim Theatre and Social Research: Turning Towards the Stories of Others | |
| Kathleen Gallagher, Anne Wessels, Burcu Wayman Ntelioglou |
| Lunettes Noires et autres Éecrans Identitaires dans L’œuvre de Michel Tremblay | |
| Sara Bédard-Goulet |
| "No Good. Go Home": Past Lives and Disrupted Homes in Catherine Bank's Three Story, Ocean View1 | |
| Reina Green |
| To Be Dub, Female and Black: Towards a Womban-Centred Afro-Caribbean Diasporic Performance Aesthetic in Toronto1 | |
| Ric Knowles |
Book Reviews / Comptes Rendus
| Peter Dickinson World Stages, Local Audiences: Essays on Performance, Place, and Politics. | |
| Kim Solga |
| ́Éric Méchoulan D’où nous viennent nos idées? Métaphysique et intermédialité. | |
| André Loiselle |
| Albert-Reiner GLAAP (with assistance from Michael Heinze and Neil johnston) Jewish Facets of Contemporary Canadian Drama. | |
| Amanda Lockitch |
| Reviews of the Critical Perspectives on Canadian Theatre in English series | |
| Erin Hurley |
| Linda Burnett, ed. Theatre in Atlantic Canada.; Laura Levin, ed. Theatre and Performance in Toronto. | |
| Ann Wilson |
| Rob Appleford, ed. Aboriginal Drama and Theatre. Vol. 1; Alan Filewod, ed. Theatre Histories. Vol. 13; Susan Knutson, ed. Canadian Shakespeare. Vol. 18 | |
| W. B. Worthen |
| Natalie Rewa, ed. Design and Scenography. Vol. 15; Michael McKinnie, ed. Space and the Geographies of Theatre. Vol. 9; Andrew Houston, ed. Environmental and Site-Specific Theatre. Vol. 8 | |
| Sophie Nield |
| Rosalind Kerr, ed. Queer Theatre in Canada. Vol. 7 | |
| Hervé Guay |
| Collaborateurs / Contributors | |
| Back Matter | |
ISSN: 1913-9101