Table of Contents
| Front Matter | |
Articles
| Amy Sternberg’s Historical Pageant (1927): The Performance of IODE Ideology during Canada’s Diamond Jubilee | |
| Allana C. Lindgren |
| Whites Singing Red Face in british Columbia in the 1950s | |
| Daniel Keyes |
| Michel Tremblay adaptateur de pièces françaises : le cas de Les Trompettes de la Mort | |
| Sathya Rao |
| Girls in "White" Dresses, Pretend Fathers: Interracial Sexuality and Intercultural Community in the Canadian Arctic | |
| Heather Davis-Fisch |
Forum
| The Casting and Makeup of Drama, Theatre, and Performance Studies in Canada: A Report on the Discipline by the Numbers (and Letters) | |
| Robin C. Whittaker |
Book Reviews / Comptes Rendus
| Tim Prentki and Sheila Preston, eds. The Applied Theatre Reader. | |
| Aida Jordão |
| Marc Maufort and Caroline de Wagter, eds. Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama. | |
| Anne Nothof |
| Candida Rifkind. Conrades and Critics: Women, Literature, & the Left in 1930s Canada. | |
| Susan Knutson |
| Irène Roy (dir., avec la collaboration de Caroline Garand et Christine borello). Figures du monologue théâtral ou Seul en scène. | |
| Jeanne Bovet |
| Erin Hurley (dir.). Les arts de la scène au Québec. | |
| Irène Roy |
| Rory McDonald (images editor), and Kathleen Irwin (text editor) Sightin/Citing/Siting: Crossfiring/Mama Wetotan: Theorizing Practice. | |
| Natasha Martina |
| Anna Migliarisi, ed. Stanislavsky and Directing: Theory, Practice and Influence. | |
| Laurin Mann |
| Contributors / Collaborateurs | |
| Back Matter | |
ISSN: 1913-9101