Table of Contents
| Front Matter | |
Articles
| Destiny into Chance: S.J. Duncan's The Imperialist and the Perils of Nation Building | |
| Jon Kertzer |
| I Am Telling This to No One But You: Private Voice, Passing, and the Private Sphere in Margaret Atwood's Alias Grace | |
| Stephanie Lovelady |
| Authorizing her Text: Margaret Laurence's Shift to Third-Person Narration | |
| Brenda Beckman-Long |
| "Hoping to strike some sort of solidity": The Shifting Fictions of Alistair MacLeod | |
| David Creelman |
| Myth-manipulation through Dismemberment in Michael Ondaatje's the man with seven toes | |
| Tanya Lewis |
| Les romans des origines acadiennes de Jacques Gauthier et Claude Le Bouthillier | |
| Robert Viau |
| From Manna to Money: The Narrative Structure of Yves Thériault's Aaron | |
| Paul Socken |
| The Role of Memory in two "fictions de l'identitaire" from Quebec: Sergio Kokis's Le Pavillon des miroirs and Jean-François Chassay's Les Ponts | |
| Marie Vautier |
| Waiting for Jeannot: The (de)Construction of History in Brian Moore's No Other Life | |
| Patrick Hicks |
Interview
| Border Trickery and Dog Bones: A Conversation with Thomas King | |
| Jennifer Andrews |
| Poetry, Photography, Painting: Stephanie Bolster's World | |
| Anne Compton |
| Notes on Contributors | |
| Back Matter | |
ISSN: 1718-7850