Table of Contents
| Front Matter | |
Articles
| The Nation as “International Bastard”: Ethnicity and Language in Michael Ondaatje’s The English Patient | HTML PDF |
| Shannon Smyrl |
| Le parcours identitaire de Dany Laferrière ou «Mon cœur est à Port-au-Prince, mon esprit à Montréal et mon corps à Miami» | HTML PDF |
| Anne Brown |
| The Artist and the Witness: Jane Urquhart’s The Underpainter and The Stone Carvers | HTML PDF |
| Neta Gordon |
| The Sensations of the 1920s: Martha Ostenso’s Wild Geese and Mazo de la Roche’s Jalna | HTML PDF |
| Faye Hammill |
| “It seems so much the truth it is the truth”: Persuasive Testimony in Alice Munro’s “A Wilderness Station” | HTML PDF |
| Isla J. Duncan |
| “If only I were Isis”: Remembrance, Ritual, and Writing in Lola Lemire Tostevin’s Cartouches | HTML PDF |
| Thomas Gerry |
Interview
| “A Many-Veined Leaf”: Minutiae and Multiplicity in Brian Bartlett’s Poetry | HTML PDF |
| Anne Compton |
| Notes on Contributors | HTML PDF |
| Back Matter | |
ISSN: 1718-7850