Table of Contents
| Front Matter | |
Articles
| Sounding John Thompson’s White Noise | |
| George Elliott Clarke |
| A Man for All Seasons: Fluidity of Perspective in Samuel Hearne’s Journey from Prince of Wales’s Fort in Hudson’s Bay to the Northern Ocean | |
| Paul Johnson Byrne |
| Ethel Wilson and Sophistication | |
| Faye Hammill |
| Antonine Maillet : « S’emparer du monde comme s’il était son bien propre » | |
| Robert Viau |
| From Serial to Book: Leacock’s Revisions to Sunshine Sketches of a Little Town | |
| Gerald Lynch |
| Experiences of Modernity: Reading the Female Body in J.G. Sime’s Sister Woman | |
| Katie Mullins |
| From Vilified to Victorious: Reconceiving La Corriveau in Anne Hébert’s La Cage | |
| Jessica McBride |
| Re-Reading David Adams Richards: Ironies of Allegory in Mercy among the Children | |
| Jack Robinson |
| Migrants and Citizens: The Shifting Ground of Struggle in Canadian Literary Representation | |
| Naava Smolash, Myka Tucker-Abramson |
| Ateliers d’artiste et expositions d’art dans la trilogie Archives de Louise Warren | |
| Kirsty Bell |
| Grieving Time: The Recollection and Reproduction of Loss in Madeleine Thien’s Certainty | |
| Lisa Kabesh |
| Where Literature Fills the Gaps: The Book of Negroes as a Canadian Work of Rememory | |
| Christine Duff |
| A Conversation with Douglas Coupland: The Hideous, the Cynical, and the Beautiful | |
| Brenna Clarke Gray |
| Notes on Contributors | |
| Back Matter | |
ISSN: 1718-7850