Table of Contents
| Front Matter | |
| Editorial Changes at SCL/ÉLC | |
Articles
| Mainstream Magazines, Middlebrow Fiction, and Leslie Gordon Barnard’s “The Winter Road” | |
| Michelle Smith |
| Le métatexte du descriptif dans l’œuvre de Gabrielle Roy | |
| Nathalie Dolbec |
| The Queer Racing of Children in Dionne Brand’s What We All Long For | |
| Jennifer Blair |
| India via Trinidad and Canada: Negotiating Hospitality in Shani Mootoo’s Short Stories | |
| Chandrima Chakraborty |
| Who is a Victim? Difference and Accountability in Shani Mootoo’s Cereus Blooms at Night | |
| Cassel Busse |
| Dramatic Mode and the Feminist Poetics of Enactment in Daphne Marlatt’s Ana Historic | |
| Rebecca Waese |
| Inventions of Sexuality in Kathleen Winter’sAnnabel | |
| Mareike Neuhaus |
| Du silence au cri : la parole féminine solitaire dans La chair décevante | |
| Adrien Rannaud |
| Becoming Mongrel: Grotesque Complicity in Don LePan’s Animals | |
| Paul Keen |
| La mort de Marlon Brando de Pierre Gobeil ou comment écrire le silence et dire l’indicible | |
| Steven Urquhart |
| Lyric Scholarship in Controversy: Jan Zwicky and Anne Carson | |
| Tina Northrup |
| Defusing Genre through Generic Interplay: Armand Ruffo’s Grey Owl: The Mystery of Archie Belaney as a Long Poem | |
| Maude Lapierre |
| An Indian Encounter: A Conversation with Jeannette Armstrong | |
| Prem Kumari Srivastava |
| Notes on Contributors | |
| Back Matter | |
ISSN: 1718-7850